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Superman (2025) Review: A CGI-Slick Tale of Power, Propaganda, and the Public Eye

Lukesh Umak by Lukesh Umak
6 months ago
in News
Reading Time: 2 mins read
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Superman (2025) review: dazzles with visuals but prompts deeper questions about media control, identity, and resistance in a hyper-political world.

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When I watched Zack Snyder’s Superman (2025), it arrived with all the spectacle fans might expect. It was damn sure that I was expecting gravity-defying stunts, a booming score, and city-flattening CGI mayhem. However, beneath the superhero gloss lies a much deeper question. What is it, and who controls the story of power?

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The movie is set in a vaguely familiar dystopian America. This Superman is different this time, more symbol than saviour. Therefore, he is worthless about truth and justice, more about surveillance and statecraft. The movie subtly critiques the system. The systems of propaganda, as media networks scramble to shape Kal-El’s narrative. And governments deploy him as a weapon of deterrence rather than hope.

Superman (2025) Trailer/Review: A CGI-Slick Tale of Power, Propaganda, and the Public Eye

Actor Henry Cavill reprises his role with a stoic charm. However, the script gives him little room to explore Superman’s inner world. But not worth it. Instead, the spotlight shifts to the machinery around him—newsrooms, think tanks, and security councils. The real “villain” isn’t a caped nemesis but a system addicted to control and optics.

For a while, the pacing occasionally falters under the weight of exposition, but the film lands punches where it matters. Snyder’s visual metaphors—flags burning, statues crumbling, eyes in the sky. It draws a clear line between fiction and the world we inhabit. The parallels to modern-day media wars, colonial ideologies, and digital surveillance are deliberate and unsettling.

As for me, the film’s boldest stance is in its conclusion. Resistance doesn’t come from gods but from people. A brief but powerful subplot features ordinary citizens organising against tyranny, reminding us that belief systems can both save and destroy depending on who wields them.

This year’s Superman (2025) may not be the feel-good blockbuster of the summer of 2025, but it’s an essential one. Why? Because it’s a provocative look at the narratives we accept and the ones we question. It asks. When heroes become tools of power, who’s left to speak truth?

The Review

Superman 2025

6 Score

Propoganda and Public Eye: Superman (2025) is not your typical summer blockbuster. Henry Cavill returns with stoic intensity, but the spotlight shifts from the Man of Steel to the powerful systems surrounding him—governments, media, and institutions obsessed with control. Zack Snyder’s film is heavy with metaphor and meaning, drawing eerie parallels to today’s world of surveillance and media warfare.

PROS

  • Reprises Superman with stoic charm, adding gravitas even when underwritten.
  • Tackles modern ideologies, media manipulation, surveillance, and systems of control—rare in superhero films.
  • Shifts focus from gods to ordinary people resisting oppression, a subversive and empowering conclusion.

CONS

  • Superman’s inner life is neglected; the script doesn’t allow Cavill to explore deeper emotional terrain.
  • The film prioritizes commentary over connection; viewers expecting traditional superhero thrills may feel disconnected.

Review Breakdown

  • A gripping political parable in a superhero’s cape. Superman (2025) doesn’t fly high on emotion but lands hard with its message. Snyder’s most subversive work yet. 0
  • Bold ideas and powerful symbolism elevate this Superman outing, but sluggish pacing and a distant protagonist keep it from greatness. 0
  • Despite Cavill’s strength and Snyder’s striking visuals, the film stumbles with heavy exposition and a lack of emotional core. Feels more like a lecture than a leap. 0
Tags: entertainmentMovieNews
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Lukesh Umak

Lukesh Umak

Lukesh writes about his favorite topics, such as essays, poems, health, fitness, nutrition, etc. He also invites guests on his podcast show "In Conversations."

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